As a practicing artist with an active national and international exhibition record, Singer has received several public art commissions and her work is found in many private collections. She is a member of The Red Head Gallery and the Art Advisory Committee of The Koffler Gallery, and currently serves on the board of the Toronto Arts Council.
Projections for the Unseeing, 1997
I am.' I should have, could have, I would have . . . , 1998
Her family’s immigration and exile experiences have served as important sources of creative inquiry in several of her works. Her installations employ multimedia techniques, often with cryptic texts to articulate cultural issues of disjuncture and perception. She is particularly interested in the intersection of public and private histories as well as in the way in which identity is constructed.
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